It started on the back of a napkin. Lower Manhattan, late, the kind of night where the lights of the bridge are doing more work than the sun did all day. There were two of us at the counter. The napkin had a shield on it, drawn twice, badly, and the words PARALLEL and UNION written above and below.
We didn't have a label yet. We had a name we couldn't stop saying out loud. Parallel — because we wanted to walk next to the thing, not down the middle of it. Union — because we already knew it would only work if it wasn't one of us.
The night it started.
The conversation had been the same conversation for a year. Why is everything we want to wear too loud, too logo'd, too obviously trying. Why does every cap come with someone else's reference baked in. Why do drops feel like advertising disguised as scarcity.
Most of the year that was a complaint. That night it stopped being a complaint and started being a plan. We left the napkin on the counter and forgot to take it home. The next morning we knew we didn't need the napkin. The shape was already in our heads.
The first piece.
The first sample took eleven weeks. Six panels, twill, a curved brim, a small embroidered shield on the front and nothing on the back. We did fifteen versions of the shield before the lines were where we wanted them. We did six different brim curves. We pulled four buckram weights.
When the right one came back from the maker, we wore it for two months before we showed anyone. That cap is in the second box on the studio shelf. It still fits. The brim has the right kind of break in it now.
We made a label for the people we already wanted to hang out with.